Location: | Decentralized |
Client: | Federal Office of Culture FOC |
Year: | 2020 |
Status: | Completed |
Program: | - |
Team: | Giulia Furlan, Mario Beeli |
Location: | Decentralized |
Client: | Federal Office of Culture FOC |
Year: | 2020 |
Status: | Completed |
Program: | - |
Team: | Giulia Furlan, Mario Beeli |
Location: | Afouzar, Morocco |
Client: | Privat |
Year: | 2020 |
Status: | Pre-project, ongoing |
Program: | Hammam |
Team: | Giulia Furlan, Mario Beeli |
Location: | Afouzar, Morocco |
Client: | Privat |
Year: | 2020 |
Status: | Pre-project, ongoing |
Program: | Hammam |
Team: | Giulia Furlan, Mario Beeli |
Location: | Al Wathba Wetland Reserve, Abu Dhabi |
Client: | The Abu Dhabi Environment Agency |
Year: | 2020 |
Status: | Competition entry |
Program: | Visitor center |
Team: | Giulia Furlan, Mario Beeli, Andreas Amodio |
Location: | Al Wathba Wetland Reserve, Abu Dhabi |
Client: | The Abu Dhabi Environment Agency |
Year: | 2020 |
Status: | Competition entry |
Program: | Visitor center |
Team: | Giulia Furlan, Mario Beeli, Andreas Amodio |
Location: | St. Gallen, Switzerland |
Client: | Stiftung Textilmuseum St. Gallen |
Year: | 2020 |
Status: | Competition entry |
Program: | Museum |
Team: | Giulia Furlan, Mario Beeli in collaboration with ARUP London (Nicola Whiteford, Tara Clinton) |
Location: | St. Gallen, Switzerland |
Client: | Stiftung Textilmuseum St. Gallen |
Year: | 2020 |
Status: | Competition entry |
Program: | Museum |
Team: | Giulia Furlan, Mario Beeli in collaboration with ARUP London (Nicola Whiteford, Tara Clinton) |
Location: | Basel, Switzerland |
Client: | Kanton Basel-Stadt |
Year: | 2020 |
Status: | Competition entry |
Program: | Residential |
Team: | Giulia Furlan, Mario Beeli |
Location: | Basel, Switzerland |
Client: | Kanton Basel-Stadt |
Year: | 2020 |
Status: | Competition entry |
Program: | Residential |
Team: | Giulia Furlan, Mario Beeli |
Location: | Milan |
Client: | Privat |
Year: | 2020 |
Status: | Ongoing |
Program: | Office |
Team: | Giulia Furlan, Mario Beeli |
Location: | Milan |
Client: | Privat |
Year: | 2020 |
Status: | Ongoing |
Program: | Office |
Team: | Giulia Furlan, Mario Beeli |
Location: | Columbia and Brunswick Wharf, London, United Kingdom |
Client: | Architecture Foundation |
Year: | 2020 |
Status: | Competition entry |
Program: | Experimental structure |
Team: | Giulia Furlan, Mario Beeli |
Location: | Columbia and Brunswick Wharf, London, United Kingdom |
Client: | Architecture Foundation |
Year: | 2020 |
Status: | Competition entry |
Program: | Experimental structure |
Team: | Giulia Furlan, Mario Beeli |
Location: | Bruton, United Kingdom |
Client: | The 2019 Summer School is organised by the Royal Fine Art Commission Trust in association with Drawing Matter, Hauser & Wirth Somerset, Kingston School of Art, Queens University Belfast and the Bruton School for Girls. |
Year: | 2019 |
Status: | Completed |
Program: | Education |
Team: | Giulia Furlan |
Location: | Bruton, United Kingdom |
Client: | The 2019 Summer School is organised by the Royal Fine Art Commission Trust in association with Drawing Matter, Hauser & Wirth Somerset, Kingston School of Art, Queens University Belfast and the Bruton School for Girls. |
Year: | 2019 |
Status: | Completed |
Program: | Education |
Team: | Giulia Furlan |
Location: | Rukomo, Rwanda |
Client: | YAC |
Year: | 2019 |
Status: | Competition entry |
Program: | Church |
Team: | Giulia Furlan, Mario Beeli, Andreas Amodio, Peter Boardman (Visuals) |
Location: | Rukomo, Rwanda |
Client: | YAC |
Year: | 2019 |
Status: | Competition entry |
Program: | Church |
Team: | Giulia Furlan, Mario Beeli, Andreas Amodio, Peter Boardman (Visuals) |
Location: | Munich, Germany |
Client: | MaximiliansForum - Passage für Kunst und Design |
Year: | 2019 |
Status: | Commissioned study, ongoing |
Program: | Various |
Team: | Giulia Furlan, Mario Beeli |
Location: | Munich, Germany |
Client: | MaximiliansForum - Passage für Kunst und Design |
Year: | 2019 |
Status: | Commissioned study, ongoing |
Program: | Various |
Team: | Giulia Furlan, Mario Beeli |
Location: | Addis Ababa, Ethiopia |
Client: | Federal Office for Buildings and Logistics FOBL |
Year: | 2019 |
Status: | Competition entry |
Program: | Embassy |
Team: | Giulia Furlan, Mario Beeli, Peter Boardman (Visuals) |
Location: | Addis Ababa, Ethiopia |
Client: | Federal Office for Buildings and Logistics FOBL |
Year: | 2019 |
Status: | Competition entry |
Program: | Embassy |
Team: | Giulia Furlan, Mario Beeli, Peter Boardman (Visuals) |
Location: | Florence, Italy |
Client: | Museo Nazionale del Bargello |
Year: | 2018 |
Status: | Competition entry |
Program: | Museum |
Team: | Giulia Furlan, Mario Beeli, Andreas Amodio |
Location: | Florence, Italy |
Client: | Museo Nazionale del Bargello |
Year: | 2018 |
Status: | Competition entry |
Program: | Museum |
Team: | Giulia Furlan, Mario Beeli, Andreas Amodio |
Location: | Tokio, Japan |
Client: | Shinkenchiku-sha Co., Ltd. Judge: Go Hasegawa Theme: House of Dimensions |
Year: | 2017 |
Status: | Competition entry |
Program: | Residential |
Team: | Giulia Furlan, Mario Beeli |
Pillar and beam are much bigger then structurally needed. They become an irrational gesture. The need to enlarge one’s interpretation to comprehend this element changes the physical and the non-physical dimension of the house.
Location: | Tokio, Japan |
Client: | Shinkenchiku-sha Co., Ltd. Judge: Go Hasegawa Theme: House of Dimensions |
Year: | 2017 |
Status: | Competition entry |
Program: | Residential |
Team: | Giulia Furlan, Mario Beeli |
Pillar and beam are much bigger then structurally needed. They become an irrational gesture. The need to enlarge one’s interpretation to comprehend this element changes the physical and the non-physical dimension of the house.
Location: | Milan, Italy |
Client: | Privat |
Year: | 2017 |
Status: | Completed |
Program: | Residential |
Team: | Giulia Furlan |
Location: | Milan, Italy |
Client: | Privat |
Year: | 2017 |
Status: | Completed |
Program: | Residential |
Team: | Giulia Furlan |
Location: | - |
Client: | Cartha Magazine |
Year: | 2017 |
Status: | Published |
Program: | - |
Team: | Giulia Furlan, Mario Beeli, Andreas Amodio |
After coming to the conclusion that the most relevant and commonly shared value nowadays is experience, we sat together and shared our memories, thoughts, ideas about buildings we had seen and experienced or just found triggering as architects. We did this avoiding to look at plans and images, and translated our dialogues into sketches. The attempt of drawing existing buildings by heart, based on nothing else than experience soon enough lost any aim of showing things how they really are. We ended up bringing in fantasies, personal memories and perceptions, interpretations, desires, critiques and so on. A collection of fictional images grown out of experience of many existing buildings was suddenly on the table. It shows the fictional cores of these pieces of architecture beyond the limitations of reality, just as felt in person and stored in our head. What we found out is that how we see things and decode them into ideas and feelings is the fictional potential within the real world.
Location: | - |
Client: | Cartha Magazine |
Year: | 2017 |
Status: | Published |
Program: | - |
Team: | Giulia Furlan, Mario Beeli, Andreas Amodio |
After coming to the conclusion that the most relevant and commonly shared value nowadays is experience, we sat together and shared our memories, thoughts, ideas about buildings we had seen and experienced or just found triggering as architects. We did this avoiding to look at plans and images, and translated our dialogues into sketches. The attempt of drawing existing buildings by heart, based on nothing else than experience soon enough lost any aim of showing things how they really are. We ended up bringing in fantasies, personal memories and perceptions, interpretations, desires, critiques and so on. A collection of fictional images grown out of experience of many existing buildings was suddenly on the table. It shows the fictional cores of these pieces of architecture beyond the limitations of reality, just as felt in person and stored in our head. What we found out is that how we see things and decode them into ideas and feelings is the fictional potential within the real world.
Location: | Erbusco/Milan, Italy |
Client: | MORE Moretti s.p.a. & CASABELLA |
Year: | 2016 |
Status: | Competition entry |
Program: | Residential |
Team: | Giulia Furlan, Mario Beeli |
Location: | Erbusco/Milan, Italy |
Client: | MORE Moretti s.p.a. & CASABELLA |
Year: | 2016 |
Status: | Competition entry |
Program: | Residential |
Team: | Giulia Furlan, Mario Beeli |
Location: | Ait Ourir, Morocco |
Client: | Privat |
Year: | 2016 |
Status: | Commissioned study |
Program: | Residential |
Team: | Giulia Furlan, Mario Beeli |
Location: | Ait Ourir, Morocco |
Client: | Privat |
Year: | 2016 |
Status: | Commissioned study |
Program: | Residential |
Team: | Giulia Furlan, Mario Beeli |
Location: | Grison, Switzerland |
Client: | Privat |
Year: | 2012–13 |
Status: | Completed |
Program: | Residential |
Team: | Mario Beeli |
Location: | Grison, Switzerland |
Client: | Privat |
Year: | 2012–13 |
Status: | Completed |
Program: | Residential |
Team: | Mario Beeli |
Location: | Lausanne, Switzerland |
Year: | 2009 |
Status: | Diploma project |
Program: | Office |
Team: | Giulia Furlan, Chair of Valerio Olgiati & Pascal Flammer, AAM |
Location: | Lausanne, Switzerland |
Year: | 2009 |
Status: | Diploma project |
Program: | Office |
Team: | Giulia Furlan, Chair of Valerio Olgiati & Pascal Flammer, AAM |
Location: | Chiswick House and Gardens, London, United Kingdom |
Year: | 2007 |
Status: | Student project |
Program: | Folly |
Team: | Mario Beeli, Chair of Adam Caruso and Peter St. John & Meritxell Vaquer, ETHZ |
Location: | Chiswick House and Gardens, London, United Kingdom |
Year: | 2007 |
Status: | Student project |
Program: | Folly |
Team: | Mario Beeli, Chair of Adam Caruso and Peter St. John & Meritxell Vaquer, ETHZ |